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History: World History

Introduction to World History

Cambridge has long been an international centre for research and study in World History. Our research interests, spanning five centuries, stretch from Latin America and the Caribbean to Africa, the Middle East, Asia and the Pacific and compares and connects the history of regions and empires through convergence and divergence. Social, economic, political, and intellectual approaches are all represented, with cross-cutting thematic interests in colonialism and imperialism, collaboration and resistance, diaspora and migration, gender, religion, labour, science, and the environment. World History faculty seek to understand the historical experience of peoples in the global South on their own terms and through their own sources and languages.

The British Library also has a wealth of material pertaining to Asia and Africa, accessible if you visit the Asian & African Reading Room, which includes, amongst other helpful resources, the India Office Records and Private Papers Collection, Newspapers, Oriental Manuscripts

Complimenting this, Cambridge University Libraries boasts a large and varied collection of both physical and digital resources to help you in your studies. This not only includes books but online databases, newspapers, official publications, journals, music and film repositories, and much more. Here in the Seeley, texts on World History can be found across the library, though in the Main Library the following may be of specific interest for the regions mentioned above: 'F - Latin/Spanish America', 'DT - History of Africa', 'DS - History of Asia', 'DU - History of Oceania', and '8 - World History'. We also hold the library collections for the Centre for Latin American Studies (CLAS) which covers specific countries, regions and topics of the Latin American world, the Land Economy Department, and Social and Political Sciences (SPS) which itself includes material focusing on POLIS and Sociology courses, and all together hold a range of texts on World politics, literature, society and more. 

You also have access to the University Library (UL), where the classmark range 500-698 covers Geography and History and is then organised by region, all Faculty Department Libraries (FDLs), and your own College Library, so explore these for useful books and resources as well.

As with any library, searching on iDiscover for the text, journal or database that you require is a good starting point, and if you have any questions then please reach out to a member of staff who would be happy to assist.

Seeley Library World History Collection

Audio-Visual Material

Nisshinkan sensō jikki (FJ.357.1) Digitized with the support of the Art Research Center, Ritsumeikan University.

Shiranui Monogatari, part 16 jō ge (FJ.767.5-6). Digitized with the support of the Art Research Center, Ritsumeikan University.

Shāhnāmah (MS RAS 239) - This manuscript was copied in Herat for the Timurid prince Muhammad Juki (1402-1445) whose name appears on a banner in a miniature on f. 296r. It is written in nasta’liq with 536 folios and contains 29 miniatures with two further miniatures on f. 430v and f. 531r, added during the Mughal period. It contains the impressions of seals of the Mughal emperors from Babur, Emperor of Hindustan, 1483-1530 to Aurangzeb, Emperor of Hindustan, 1618-1707, together with a note written by Shahjahan, Emperor of India, 1592-1666 on f. 536v. At the beginning of the manuscript we find an inscription by the same on gold ground.

Gulistan of Sa‘di (RAS Persian 258) - One of the finest illustrated manuscripts contained within the collections of the Royal Asiatic Society of Great Britain and Ireland is the Gulistan (Rose Garden) composed by the renowned Persian poet Sa‘di (1203-1292). It is noted not only for its exquisite paintings of birds and animals which decorate the pages of the text but also for its colophon portrait which depicts the eminent scribe Muhammad Husayn al-Kashmiri known as Zarrin Qalam (Golden Pen) and the artist, Manohara as a youth, who later had a long and illustrious career at the court of Shah Jehan (1592-1666).

Kalāpustaka (MS Add.864) - A masterfully crafted 17th-century Nepalese accordion book, completely consisting of polychrome drawings, for a total of one-hundred and forty-four illuminated pages of an extremely vivid grace and an exuberant, expressionistic character. The paintings represent stories of both sacred and secular nature, often narrated along multiple pages, sometimes divided in two or three frames with the story evolving and the movement shifting from one composition to another.

Te Mutu, with his sons Patuone and Te Kuri (Plate XVI ‘The New Zealanders illustrated’ (1847); RCS.FL.89.1.OS)

Fingo witch doctor, Peddie, Ciskei (RCMS 211/43)

Zulu warrior, Banganoma, Zululand (RCMS 211/4)

Momotaro (1889.5.1). Digitized with the support of the Art Research Center, Ritsumeikan University.

Map of Zululand (RCS/RCMS 193/2/1) A litho map by L.M. Altern, Durban, including 'definitions of boundaries of reserves'. Prepared in Surveyor-General's Office, 1905, by Altern for C.R. Saunders, Natal Commissioner for Zululand Lands - Delimitation Commission

Title: Buddha image 

Note(s): Period: Early Anuradhapura.; Date: 1C BCE.; Material: Limestone.; Site: Anuradhapura.; A Buddha of one of the cardinal points (Tathagata), dating from the first century AD, from the Abhayagiri Vihara complex. (Similar to Mamallapuram); Founded by Vattagamini (44-17 BC) Dagaba 587'sq. base, 350' H. Gajabahu I (112-134 AD) rebuilt Dagaba as a monument of colossal proportions. Built "Adimukha" at its four gates. Abhayagiri originally built 2 AD, present form 8 AD, reconstruction in 9 and 10 AD.

Batak oracle bones (MSS Add. 3680–81). These two pieces of carved bone (probably buffalo) are decorated with figures and text in Batak script containing magical texts and were used as amulets or in divination. They have more text on the reverse side. The Batak languages are native to the north of Sumatra and other areas of Indonesia and the script was probably derived from the Palava script of southern India. It was traditionally used by the datu (priests) to write magical texts and calendars and they wrote on materials that were easy to obtain such as bamboo, tree bark and buffalo bones. The bones were purchased by the Library in 1900 from Mr W. D. Webster.

Mine dancing (RCS/Marnham V) This group of Kodachromes shows Africans dancing in what is clearly the same spot. Original photography by John Ewart Marnham, reproduced by kind permission of Mrs Elizabeth S. Marnham.

 

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